24 August, 2020  /  DANIEL BOUQUET

In the mid-nineties the ‘Soul Jazz Records’ label quietly released a series of compilations which were a huge influence on fans of black music, jazz dance and provided a summation of the time after seminal club events, such as Gilles Peterson’s Dingwalls Sunday Sessions in Camden Town. The excitement of Acid Jazz had faded and these songs had come out of a club context and into people’s homes and onto serious playlists. A large list of songs had somehow become related to each other and come to define the jazz scene in London.